« Qu’est-ce à dire – sinon que, dans l’état dit de veille, il y a élision du regard, élision de ceci que, non seulement ça regarde, mais ça montre. Dans le champ du rêve, au contraire, ce qui caractérise les images, c’est que ça montre. »
Lacan J., Le Séminaire, Livre XI, Les quatre concepts fondamentaux de la psychanalyse, texte établi par Jacques-Alain Miller, Paris, Seuil, 1973, p. 72.
"[…] in the so-called waking state, there is an elision of the gaze, and an elision of the fact that not only does it look, it also shows. In the field of the dream, on the other hand, what characterizes the images is that it shows."
Lacan J., The Four Fundamental Concepts of Psychoanalysis, Book XI, ed. Jacques-Alain Miller, trans. A. Sheridan (New York: Norton, 1977), 75.
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What You See from Here You (Don't) See from There
Keren Ben-Hagai
"It shows, (le donner-a-voir) for Lacan is the essence of the gaze, detached from the other. It can be suggested that the images of the atrocities function for the viewer as a stain where the point of tyche in the scopic function is found – in other words, the vanishing point of being."
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The Seduction of the Image and the
Status of the Secret in Our Times
Sarah Birgani
"In Freudian times, the analyst’s position was connected to deciphering the secrets of his hysteric patients, spoken by their enigmatic bodies which contained a hidden message, one-by-one. Nowadays, the place of psychoanalysis might be more about constructing a secret, each time new, where everything seems so crystal clear."
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Homère et Lacan
La pudeur, l’aidos : une position
Dora Pertesi
« Pour Lacan, dans son Séminaire Les non-dupes errent, « la seule vertu, s’il n’y a pas de rapport sexuel, c’est la pudeur ». La pudeur, comme vertu, consiste donc en une position, une place : on y est, ou on n’y est pas. »
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